Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction.Komarin's stalwart images have an epic quality that grip the viewer with the idea that he or she is looking at a contemporary description of something timeless. For painter Gary Komarin, abstraction has never been a formal dead end. Rather, it has allowed him to challenge the limitations of the style -to make painting 'include more' precisely because a recognizable image excludes too much.Komarin has been called a "painter's painter". His status in this regard is based on the authenticity of his work, its deep connection to the tradition of Modern painting as well as its sustained individuality as an utterly personal voice. Komarin has exhibited extensively throughout the United States,Europe and Asia. In 1996, Komarin's work was included in a pivotal exhibition at 41 Greene Street in New York City, along with work by Jean-Michel Basquiat, Philip Guston and Bill Traylor. In 2008, he had a solo museum exhibition at the Musee Kiyoharu Shirakaba in Japan. The exhibition and catalog, Moon Flows Like a Willow, was orchestrated by the Yoshii Foundation in Tokyo with galleries in New York, Tokyo and Paris. Gary Komarin has been honored with the Joan Mitchell Prize in Painting, the New York Foundation for the Arts Grant in Painting, the Edward Albee Foundation Fellowship in Painting, the Elizabeth Foundation, New York Prize in Painting and the Benjamin Altman Prize from the National Academy of Design Museum, New York.Articles and reviews of Komarin's work have appeared in the New York Times, Art in America and Arts Magazine among others.Komarin lives and works in a house and studio in the wooded hills of Roxbury, Connecticut.